![]() All the practice advice from our Two Octave Major Scales & Arpeggios article applies to these minor scales and arpeggios.Use your tuner and practice drones to guide your ear and slide. While your ear adjusts to this new sound, attention to intonation is important. The minor scales and arpeggios have a different order of whole and half steps than the major scales and arpeggios, they sound different in important ways.However you think about the relationship of major and minor scales, there are some important practice thoughts to keep in mind as you learn this new scale form. This is the primary way we think about the relationship between major and minor keys.Įxample 2: B♭ major and B♭ minor: Parallel Relationship ![]() We can say that G minor (the scale and the key) is the relative minor of B♭ major. The relative minor scale of B♭ major would begin and end on the pitch G, and use the key signature of B♭ major. In this case, the sixth scale degree of B♭ major is G. The relative minor scale will always begin on the sixth note (or scale degree) of its relative major scale. Notice that these have the same key signature all the same pitches, they just begin on different places in the scale. Below is the B♭ major and G natural minor scales and arpeggios. Your experience in major keys means you already know the natural minor counterparts. If you have memorized your major scales and arpeggios and know their key signatures, then you already know the natural minor scales and arpeggios! Get the Two Octave Natural Minor Scales & Arpeggios PDFĪfter the major scales and arpeggios, the natural minor scales and arpeggios are the second-most used scales and chords in Western classical music, jazz, and rock.
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